Just Like a Musical Avalanche, Goo Goo Dolls Picked Up Speed and Swept Us Away
Taking photos during a concert sometimes comes with their own hidden dangers. Now I am not talking about the time Vanilla Ice wanted to get every photographer wet in the pit, or even when Pat Monahan of Train decided to do an impromptu journey around the Trop turf. Sometimes artists just do not like the camera.
That same scenario came to head Saturday night during the Goo Goo Dolls show during the Rays/Hess Express Saturday Night Concert Series. It has been common knowledge to those who follow music that Goo Goo Dolls lead singer John Rzeznik’s propensity to be camera shy. Most people might not know that in the beginning Rzeznik would not sing due to his shyness.
So the night was an adventure in creative poising and posturing, hoping for the right shot, or maybe even a facial glance towards a lens. Not going to say the night was a total success, but Rzeznik did give me a few well aimed photos, and a night to remember.
Here is a bit of Goo Goo Dolls trivia for the Rays Republic, Rzeznik did not officially become the voice of the band until their third album “Hold Me Up”: in 1990. Previously it was Robby Takac the band wild bass guitarist that took the mic before Rzeznik became comfortable and they started cranking out their many hits.
The band’s 17-song set was a huge flashback for some fans that displayed just how much the band had matured and grown as artists since their first hit. From their first song of the night “Last Hot Night” to their final song “Broadway”, the band really did take us down an interesting path with Rzeznik becoming more and more personable as the night went along.
Even with the bump in the road in the beginning, this was a great concert filled with songs we all knew by sound, if not by heart. From “Slide” introduced second on Saturday night to “Iris” being performed in a different way, but still have the same heart string pulls of emotion. This is a band that embodies the 1990’s in so many ways, even though their biggest hit “Iris” did not hit the charts until 1998.
After the third song with our cameras in our bags and non of us milling about the photo pit, truly the night began to shine for Rzeznik and the rest of the Goo Goo Dolls. It truly was a great way to bring to a close the Go-Go Goo Goo weekend of concerts. By the way, the Rays did ask about the possible inclusion of possibly Lady GaGa performing, but the team balked at a $ 1 million asking price.
Still a Go-Go Goo Goo Gaga weekend would have been beyond historic. Still, the Goo Goo Dolls were the perfect cheery on top of the 2 concert events, complete with smoke machines, a light explosion and the vocals of Rzeznik that you could recognize even in a vacuum. It was seriously that good.
Even as the assembled masses were trying to get the band to come out for an additional song, their 17-song set and night was over just before the clock neared the midnight hour. I especially like their rendition of the classic 1977 Supertramp hit “Give A Little Bit”. No disrespect to the 1970’s iconic band, but I enjoyed Rzeznik’s personal changes and riffs a bit more than the original.
In the end as band that began their journey with the name The Sex Maggots and were banned by some promoters in Buffalo, New York from clubs found their groove. Even Rzeznik found his rhythm, found his voice and provided another moment in Rays concert history we will all never forget, especially the photographers’.